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The Baths of Diocletian accommodated 3,000 bathers, almost twice as many as the Baths of Caracalla, being approximately twice its size. Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. Secrets of Lost Empires: Roman Bath. Because Roman bathhouses had mixed facilities, church authorities condemned women’s attendance at mixed gender bathhouses.

Thus, a Christian ascetic who crawled with vermin and reeked of body odor was venerated as a paragon of virtue. Medieval Christians proved their holiness by not washing. Islamic culture had preserved the Roman traditions of cleaning the body first, then soaking and socializing. Deprived of sophisticated Roman plumbing, most medieval and renaissance people appear to have bathed less often, but with the same social enjoyment. The church chimed in that the baths encouraged concupiscence, and the stews were closed. From the mid-16th century well into the 19th century in much of Europe, a person could go from cradle to grave without a good wash.

Nor was sanitation prized in France, where feces left in the halls of Versailles were carted away once a week. The citizens of Pompeii have been revealed as sophisticated, cultured people who enjoyed fine art, architecture, and the pleasures of the flesh. Their life stories have become a grand narrative of how to live joyfully in the present as if every day might be your last. In the long centuries of Christian Europe, when miserable conditions of life and religious repression conspired to minimize the expression of sexual longing, desire was driven underground to rise only momentarily during celebrations like Carnaval. Yet by the late nineteenth century, increasing privacy, prosperity, and good health again permitted the underlying biological urge for total body sex to express itself.

They assumed a character like the Greek gymnasium but incorporated advances which we can still appreciate today. The community of Pompeii was finishing one the grandest bathhouse ever built when Mount Vesuvius exploded in 79 AD, giving us a remarkable view of a different way of living life. The resort city of Pompeii has yielded an amazingly large collection of erotic votive objects and frescoes. Many were removed and kept until their 21st century unveiling at the Naples Archeological Museum. They had been previously opened to public viewing for a brief period during the 1960s. The city of Pompeii was the luxury destination for the Roman elite and many members of the upper classes lived almost full-time.

Pompeii was a lively place, and evidence abounds of literally the smallest details of everyday life. While the Romans adopted the idealization of beauty like the Greeks, their genius was melding ideas, money, and slave labor into greater infrastructure than had ever been seen before. Their increasingly complex structures included the baths. The Romans built so many of them, the baths became an experimental laboratory to test out new concepts. The baths were available to all as community center and a daily ritual that defined what it meant to be Roman. The locals and visitors frequented a magnificent 5,000-seat theatre and a 20,000-capacity amphitheatre while enjoying at least 81 takeaway food emporiums featuring hot food and fresh bread. The spiritual life of the elite was important too, as the surviving temples dedicated to Isis, Venus, Jupiter and Apollo show us.

Beneath the lava ruins rests a freeze-frame of high style Roman living. Twenty-five thousand people or more died, buried under what was a high tower of pumice pebbles that fell for twelve hours, and killed in an instant by a hundred-mile-an-hour surge of pyroplastic flow — a superheated mixture of poisonous gas, lava foam, and rocks. Isis-Aphrodite: painted terracotta votive figure crowned and nude –¬† a syncretic icon of Egyptian Greco-Roman worship 2nd century CE. The Egyptians, Greeks, and Romans are the three ancient cultures with the most important Carnaval lineage, and they all retain their glorious presence in the preserved record of Pompeii at the beginning of the last great age.

Here it is likely that  young women were initiated into the mysteries of life, death and rebirth under the watchful eyes of Dionysis and his consort Ariadne. Pompeii was a rich and cosmopolitan Roman city of trade originally dominated by the Greek traders who also ruled Egypt under the Ptolemys. There are depictions of women as goddesses, seductresses, saints, sinners, and muses, which often have the female appearing nude. Inside their villas, Pompeians chose many different ways to express themselves. The interior walls of Pompeii homes were enriched by warm and brilliantly colored decorations often with mythological, heroic and fantastic subjects.